Be it in real life or up on the big screen, they freak the hell out of me, and even merely thinking about one crawling up my leg sends shivers down my spine. Because of this phobia, one of the scenes ...

I hate spiders. Be it in real life or up on the big screen, they freak the hell out of me, and even merely thinking about one crawling up my leg sends shivers down my spine. Because of this phobia ...

“Wolf Man” tells the story of Blake Lovell (Christopher Abbott), his wife Charlotte (Julia Garner) and their daughter Ginger ...

After Wolf Man, Leigh Whannell has the potential to direct even more reboots of monsters, including Pumpkinhead, The Gillman, ...

Somebody like Leigh Whannell (screenwriter of Saw and Insidious) knows the power of a franchise. “Sequels are mostly driven by the economics of Hollywood. ‘We scored, we did well, and let’s ...

By Brian Davids Writer It’s been an agonizing five-year wait for Leigh Whannell’s follow-up to his near-universally acclaimed The Invisible Man. But before their moving truck could safely ...

By Esther Zuckerman Shortly after the director Leigh Whannell’s 2020 take on “The Invisible Man” became a box office success, he got a call from Universal asking if he would like to tackle ...

After a preview screening of Leigh Whannell’s Wolf Man, a re-imagining of the classic werewolf monster, critics have started posting early reactions (though not full reviews). Peter Grey ...

It’s been an agonizing five-year wait for Leigh Whannell’s follow-up to his near-universally acclaimed The Invisible Man. As the pandemic became more and more prolonged, Whannell and his co ...

Australian director Leigh Whannell first made waves as the star and co-creator of horror franchise Saw.Credit: James Brickwood Wolf Man could have become a paint-by-numbers genre film about a Big ...

Leigh Whannell’s The Invisible Man landed in theaters back in 2020 and, only weeks later, theaters around the world were shuttered due to the coronavirus pandemic.As the months and years went by ...

It’s so close, in fact, that the steam from its breath wafts up over the top. Director Leigh Whannell frames the shot like a landscape, with the door as the horizon. The image is eerie and ...